This season Martin Mitterrutzner, a member of the ensemble at Oper Frankfurt since 2011/12, can be heard again as Belmonte in Die Entführung aus dem Serail, Don Ramiro in La Cenerentola and sings Camille de Rosillon in a new production of Die lustige Witwe/The Merry Widow. This tenor from the Tyrol's recent roles for the company, many in new productions, were Iopas (Les Troyens), Don Ottavio (Don Giovanni), Fenton (Falstaff), Andres (role debut, Wozzeck), the tenor role in staged performances of the Messiah and Giannetto (role debut) in Die diebische Elster/The Thieving Magpie. Recent guest engagements have included Tamino (Die Zauberflöte), a role he has also sung in Frankfurt, again at the Semperoper in Dresden and in Baden-Baden, Pane (La Calisto) at the Bayerische Staatsoper in Munich, Don Ottavio and staged performances of Haydn's Schöpfung/Creation at the Theater an der Wien, where, as well as in Wiesbaden, Bergen and Versailles, he sang Fulvio in Vinci's Catone in Utica; available on CD – Decca – which won a 2016 ECHO Klassik prize). Martin Mitterrutzner, a former member of the ensemble at the Landestheater in Innsbruck, has also appeared at the Salzburg and George Enescu festivals, the Bucharest Staatsoper and Zurich Opera. Places where he has appeared in recital have included the Heidelberg Spring Festival, the Mecklenburg-Vorpommern and Eppaner Liedsommer festivals, Staatstheater Darmstadt, the Schubertiade in Schwarzenberg and Oper Frankfurt. His debut at the Wigmore Hall is already planned!
Find out more about Martin Mitterutzner on his website