The Polish bass Daniel Miroslaw, a graduate from the Juilliard School in New York, joined the ensemble at Oper Frankfurt in 2016/17. This season his roles include Eustazio in a new production of Rinaldo, Sparafucile in Rigoletto, Walter Raleigh in concert performances of Roberto Devereux and Quinault in Adriana Lecouvreur. He made his debut at the Glyndebourne Festival in the summer of 2017, singing Grenvil (La traviata) and Truffaldin (Ariadne auf Naxos). His roles in Frankfurt last season included Colline (La Bohème), a Captain (Eugene Onegin) and Panthée (Les Troyens) - both new productions - and he sang in a Museumskonzert - in Mozart's Requiem. Daniel Miroslaw has appeared at the Carnegie Hall in New York, singing Don Fernando (Fidelio), in Beethoven's Missa Solemnis and Handel's Messiah. He also sang Oroe in Rossini's Semiramide with the National Russian Orchestra under Alberto Zedda in the Tchaikovsky Concert Hall in Moscow. Daniel Miroslaw studied at the Music Academy in Łódź, the Guildhall School of Music and Drama in London and the University of Music and the Performing Arts in Mannheim.